Saturday, July 25, 2009

EL OTRO TIGRE


I think of a tiger. The fading light enhances
the vast complexities of the Library
and seems to set the bookshelves at a distance;
powerful, innocent, bloodstained, and new-made,
it will prowl through its jungle and its morning
and leave its footprint on the muddy edge
of a river with a name unknown to it
(in its world, there are no names, nor past, nor future,
only the sureness of the present moment)
and it will cross the wilderness of distance
and sniff out in the woven labyrinth
of smells the smell peculiar to morning
and the scent on the air of deer, delectable.
Behind the lattice of bamboo, I notice
its stripes, and I sense its skeleton
under the magnificence of the quivering skin.
In vain the convex oceans and the deserts
spread themselves across the earth between us;
from this one house in a far-off seaport
in South America, I dream you, follow you,
oh tiger on the fringes of the Ganges.


Evening spreads in my spirit and I keep thinking
that the tiger I am calling up in my poem
is a tiger made of symbols and of shadows,
a set of literary images,
scraps remembered from encyclopedias,
and not the deadly tiger, the fateful jewel
that in the sun or the deceptive moonlight
follows its paths, in Bengal or Sumatra,
of love, of indolence, of dying.
Against the tiger of symbols I have set
the real one, the hot-blooded one
that savages a herd of buffalo,
and today, the third of August, '59,
its patient shadow moves across the plain,
but yet, the act of naming it, of guessing
what is its nature and its circumstance
creates a fiction, not a living creature,
not one of those that prowl on the earth.


Let us look for a third tiger. This one
will be a form in my dream like all the others,
a system, an arrangement of human language,
and not the flesh-and-bone tiger
that, out of reach of all mythologies,
paces the earth. I know all this; yet something
drives me to this ancient, perverse adventure,
foolish and vague, yet still I keep on looking
throughout the evening for the other tiger,
the other tiger, the one not in this poem.


Jorge Luis Borges
Translated by Alastair Reid

Tuesday, July 14, 2009

Norman Vincent Peale’s Top 10 Positive Pearls of Wisdom


Focus on today.

“Don’t take tomorrow to bed with you.” - Norman Vincent Peale

Focus on today by building “a habit of spending more time in the present and less time in imagined future scenarios or old memories.” You would probably be in shock if you were ever to take stock of how much time you spend daily daydreaming, fretting over things you can’t change and thinking about tomorrow. We all do it, the key is to be conscious of when you are doing it so that you can stop it and return back to the present. You may also “…do this through things like focusing on your breathing or on your inner body.”

Don’t go too fast.

“To go fast, row slowly.” - Norman Vincent Peale

This is such an Achilles heel especially for young men who want to conquer the world. They go at a million miles an hour trying to out achieve their compatriots. “It’s tempting to go fast…you may be tempted to grab on to the next big idea, the next “magic pill”, instead of steadily keep going on your current path. To actually get where you want to go a slower pace may be more useful and effective than a hurried and quick pace.”

While on the surface it seems counter intuitive to go slower if you want to progress faster, there is a ring of truth to the time old fable of the rabbit and the hare. We know that those who keep a constant state of progress done within their limits often achieve greater success and sustain it for longer periods of time than those who burst out of the blocks sprinting only to run out of juice before ever reaching the finish line.

Learn not only from your mistakes.

“We’ve all heard that we have to learn from our mistakes, but I think it’s more important to learn from successes. If you learn only from your mistakes, you are inclined to learn only errors.” - Norman Vincent Peale

“Our mistakes are interesting because they can often teach us something valuable if we just take a closer look at what happened. But, of course, the successes are really useful to analyze too…It is here we can find perhaps a crucial detail or something that we did that we missed the other 10 times we tried.” Success goes to those who are willing to pause and reflect on the successes and failures that have gotten them there. It is only through careful and meticulous reflection on one’s progress that you find what is working and what isn’t. To repeat what doesn’t work over and over again is just an exercise in mediocrity.

The Story of The Pencil - By Paulo Coelho


The story is excerpted from the book written by Paulo Coelho “Like The Flowing River”.


A boy was watching his grandmother write a letter. At one point, he asked:

‘Are you writing a story about what we’ve done? Is it a story about me?’

His grandmother stopped writing her letter and said to her grandson:

‘I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’

Intrigued, the boy looked at the pencil. It didn’t seem very special.

‘But it’s just like any other pencil I’ve ever seen!’

‘That depends on how you look at things. It has five qualities which, if you manage to hang on to them, will make you a person who is always at peace with the world.’

‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’

‘Second quality: now and then, I have to stop writing and use a sharpener. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person.’

‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice’

‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’

‘Finally, the pencils fifth quality: it always leaves a mark. In just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action.’

8 Money Secrets From Warren Buffett



1. Rich Is A State Of Mind

“I always knew I was going to be rich. I don’t think I ever doubted it for a minute.” - Warren Buffett
The difference between being poor and being rich is really just a state of mind. Poor people think thoughts of poverty and lack, rich people think thoughts of abundance and prosperity. Your beliefs are going to determine the way you perceive wealth, the decisions you make and the way you act towards it.

2. Success Is More Than About Your Bank Balance


When asked by CNBC what is the secret to success, Buffett replied “If people get to my age and they have the people love them that they want to have love them, they’re successful. It doesn’t make any difference if they’ve got a thousand dollars in the bank or a billion dollars in the bank… Success is really doing what you love and doing it well. It’s as simple as that. I’ve never met anyone doing that who doesn’t feel like a success. And I’ve met plenty of people who have not achieved that and whose lives are miserable.”

3. Spend Less Than You Earn

“Should you find yourself in a chronically leaking boat, energy devoted to changing vessels is likely to be more productive than energy devoted to patching leaks.” -Warren Buffett

It seems like common sense advice and you’ve no doubt heard financial experts preaching about it for years. You can’t possibly get ahead financially if you’re spending more than your paycheck. Buffett is famous for living a simple and frugal lifestyle. He is the only billionaire I know that still lives in the same house he bought back in 1958 for $31,500. He drove a 2001 Lincoln Town Car for years which he bought second hand. Buffett has a net worth in excess of $52 billion and yet lives off an annual salary of $100,000. The relative percentage of his spending based on his overall net worth is minuscule.

4. Avoid Consumer Debt


The sooner we realize that consumerism is a social plague that has been propagated by billion dollar marketing machines to keep you shackled to your job, the sooner we can stop spending money on useless stuff. It is a fool’s game to spend today so that you can work tomorrow to pay it off. It is a losing proposition because one day your working days are going to be over but the debt is still going to be hanging over your head. Clever marketing has convinced our society that to be happy you have to have more, be more and do more. Buffett abhors consumer debt instead choosing to use debt wisely by leveraging it in investments. To help you deal with your debt consider reading “How To Get Yourself Out Of Debt“.


5. You Are Who You Associate With


“It’s better to hang out with people better than you. Pick out associates whose behavior is better than yours and you’ll drift in that direction.” -Warren Buffett

If you want to succeed financially you need to associate with people who are most conducive to encouraging and cheering on your financial journey. If the people you associate with see money as evil, object to capitalism and find wealth a foreign concept then your financial health and well being is going to be influenced by their views. Whether we like it or not we are all influenced to some extent by the people we spend our primary time with. If you aspire to achieve financial security then you need to find a mastermind of people in your life whom you can all encourage and help each other.

6. Gambling Is A Fools Game


“Rule No.1: Never lose money. Rule No.2: Never forget rule No.1.” - Warren Buffett

While we are young and naive we choose to take risks with our money that are dumb and stupid. Trying to hit a home run with your money every time is a losing proposition with long term consequences. To chase investments that offer a high rate of return you must also assume that it also comes with a higher rate of risk. Bill Gates once quipped “Warren’s and my betting has always been confined to $1 bets” when talking about them paying poker together. If two billionaires take risk management this seriously, it’s time we average punters did the same thing.

7. Give Back To The Community


“Of the billionaires I have known, money just brings out the basic traits in them. If they were jerks before they had money, they are simply jerks with a billion dollars.” - Warren Buffett

They say that to have more you need to give more. A contradiction in terms, maybe, but it’s a simple truth that is as enduring as time. As the bible says “It is more blessed to give than to receive -Acts 20:35”. Buffett has announced in 2006 that he was giving away over $30 billion to the Bill and Melinda Gates Foundation making it at the time of writing the largest charitable donation in history. He also contributes large sums to his children’s charitable foundations.

8. Generosity and Abundance Goes Hand In Hand


“Even though Ben Graham [Buffett's mentor] had everything he needed in life, he still wanted to give something back by teaching, So just as we got it from somebody else, we don’t want it to stop with us. We want to pass it along too.” - Warren Buffett

A famous bible quote goes: “What benefit will it be to you if you gain the whole world but lose your own soul?” - Mark 8:36. The path to wealth isn’t a solo endeavor. How sad would life be if you come to the end of your life and there is no one to share it with. So as you journey on your path to financial abundance remember that there will be many people who generously helped you on your journey so it is only fitting to pay it forward when the opportunity arises. Generosity with your time, with your money, with your resources are great virtues to have. The greatest ally to building a strong friendship is to help others achieve what they want from life.

I leave you with this last quote “You only have to do a very few things right in your life so long as you don’t do too many things wrong.” - Warren Buffett

8 Money Secrets From Warren Buffett

Monday, July 6, 2009

The Cloud and The Sand Dune

The Cloud and The Sand Dune
(From Paulo Coelho's "Like A Flowing River")


“As everyone knows, the life of a cloud is very busy and very short” writes Bruno Ferrero..

And here’s a related story.

A young cloud was born in the midst of a great storm over the
Mediterranean Sea, but he did not even have time to grow up there, for a strong wind pushed all the clouds towards Africa.

As soon as the clouds reached the continent the climate changed. A
bright sun was shining in the sky and stretched out beneath them, lay the golden sands of the Sahara. Since it almost never rains in the desert, the wind continued pushing the clouds towards the forests in the south.

Meanwhile, as happens with young humans too, the young cloud decided to leave his parents and his older friends in order to discover the world.

‘What are you doing’ cried the wind. ‘The desert’s the same all over.

Rejoin the other clouds, and we’ll go to Central Africa where there are amazing mountains and trees!’

But the young cloud, natural rebel, refused to obey, and, gradually, he dropped down until he found a gentle, generous breeze that allowed him to hover over the golden sands. After much toing and froing, he noticed that one of the dunes was smiling at him.

He saw that the dune was also young, newly formed by the wind that had just passed over. He fell in love with her golden hair right there and then.

‘Good morning’, he said. ‘what’s life like down there?’

‘I have the company of the other dunes, of the sun and the wind, and of the caravans that occasionally pass through here. Sometimes it’s really hot,but it’s still bearable. What’s life like up there?’

‘We have the sun and the wind too, but the good thing is that I can travel across the sky and see more things.’

‘For me,’ said the dune, ‘life is short. When the wind returns from the forests, I will disappear.’

‘And does that make you sad?’

‘It makes me feel that I have no purpose in life.’

‘I feel the same. As soon as another wind comes along, I’ll go south and be transformed into rain but that is my destiny.’

The dune hesitated for a moment, then said: ‘did you know that here in the desert, we call the rain paradise?’

‘I had no idea that I could ever be that important,’ said the cloud proudly.

‘I’ve heard other older dunes tell stories about the rain. They say that, after the rain, we are all covered with grass and flowers. But I’ll never experience that, because in the desert it rains so rarely.’

It was the cloud’s turn to hesitate now. Then he smiled broadly and said:’if you like, I could rain on you now. I know I’ve only just got here, but I love you, and I’d like to stay here forever.’

‘When I first saw you up in the sky, I fell in love with you too’ said the dune.

‘ But if you transform your lovely white hair into rain, you will die.’

‘Love never dies’, said the cloud ‘it is transformed, and, besides, I want to show you what paradise is like.’


And he began to caress the dune with little drops of rain so that they could stay together for longer, until a rainbow appeared. The following day, the little dune was covered in flowers. Other clouds that passed over, heading for Africa thought that it must be part of the forest they were looking for and scattered more rain. Twenty years later, the dune had been transformed into an oasis that refreshed travellers with the shade of its trees.

And all because, one day, a cloud fell in love, and was not afraid to give his life for that love.

Genghis Khan and His Falcon

One morning, the Mongol warrior, Genghis Khan, and his court went out hunting. His companions carried bows and arrows, but Genghis Khan carried on his arm his favourite falcon, which was better and surer than any arrow, because it could fly into the skies and see everything that a human beiong could not.

However, despite the group’s enthusiastic efforts, they found nothing. Disappointed, Genghis Khan returned to the encampment and in order not to take out his frustration on his companions, he left the rest of the party and rode on alone. They had stayed in the forest for longer than expected, and Khan was desperately tired and thirsty. In the summer heat, all the streams had dried up, and he could find nothing to drink. Then, to his amazement, he saw a thread of water flowing from a rock just in front of him.

He removed the falcon from his arm, and took out the silver cup which he always carried with him. It was very slow to fill and, just as he was about to raise it to his lips, the falcon flew up, plucked the cup from his hands, and dashed it to the ground.

Genghis Khan was furious, but then the falcon was his favourite, and perhaps it, too, was thirsty. He picked up the cup, cleaned off the dirt, and filled it again. When the cup was only half-empty this time, the falcon again attacked it, spilling the water.

Genghis Khan adored his bird, but he knew that he could not, under any circumstances, allow such disrespect; someone might be watching this scene from afar and, later on, would tell his warriors that the great conqueror was incapable of taming a mere bird.

This time, he drew his sword, picked up the cup and refilled it, keeping one eye on the stream and the other on the falcon. As soon as he had enough water in the cup and was ready to drink, the falcon again took flight and flew towards him. Khan, with one thrust, pierced the bird’s breast.

The thread of water, however, had dried up; but Khan determined how to find something to drink, climbed the rock in search of the spring. To his surprise, there really was a pool of water and, in the middle of it, dead, lay one of the most poisonous snakes in the region. If he had drunk the water, he, too, would have died.

Khan returned to camp with the dead falcon in his arms. He ordered a gold figurine of the bird to be made and on one of the wings, he had engraved:

“Even when a friend does something you do not like, he continues to be your friend.”

And on the other wing, he had these words engraved:

“Any action committed in anger is an action doomed to failure.”

Friday, July 3, 2009

Be like the flowing river




Be like the flowing river,

Silent in the night.

Be not afraid of the dark.

If there are stars in the sky,reflect them back.

If there are clouds in the sky,

Remember,clouds,like the river,are water.

So,gladly reflect them too,

In your own tranquil depths

---------Manuel Bandeira

We impact others with every communication


..from the book "The alchemist"by paulo coello


The alchemist picked up a book that someone in the caravan had brought. leaving through the pages, he found a story about narcissus.


The alchemist knew the legend of narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. at the spot where he fell, a flower was born, which was called the narcissus.


but this was not how the author of the book ended the story.


he said that when narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh with water, transformed into a lake of salty tears.


“why do you weep?” the goddesses asked.


“I weep for narcissus,” the lake replied.


“ah, it is no surprise that you weep for narcissus,” they said, “for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.”


“but… was narcissus beautiful?” the lake asked.


“who better than you to know that?” the goddesses said in wonder. “After all, it was by your banks that he knelt each day to contemplate himself!”


the lake was silent for some time. Finally it said:


“I weep for narcissus, but i never noticed that narcissus was beautiful. I weep because, each time he knelt beside my banks, i could see, in the depths of his eyes, my own beauty reflected.”


“what a lovely story,” the alchemist thought.


- paulo coello


What a man thinks of himself, that is which determines, or rather indicates, his fate” - Henry David Thoreau
Let us remember that the reflection of ourselves, in the eyes of others during our communication with them, is usually the one that we put there ourselves.

Thursday, July 2, 2009

The Inside Story of Azim Premji's Next Billion Dollar Plan

Premji is anticipating that by 2020, the global market for environment products and services will double from $1.37 trillion
Source:Forbes India Magazine of 03 July, 2009



The same buzz of excitement and serendipity that swept the tiny campus of Wipro in 1977 has returned to its sprawling Bangalore headquarters today. More than three decades after Azim Premji sensed an opportunity in information technology for his consumer products company, the billionaire businessman is taking his next big step, ecology. And just like the way IT did, the new business is likely to transform the face of Wipro forever.

For those who know Premji, it is not uncommon to see the fifth richest Indian on the Forbes List and the 63-year-old chairman of Wipro switching off the lights before leaving office. It is this commitment to avoid waste that has turned Premji’s attention to ecology and sustainability. In October 2008, even as it warned of slowing growth in its main software outsourcing business in the backdrop of a global financial crisis, Wipro released a recruitment ad for two new businesses, Wipro Water and Wipro EcoEnergy. The company has spent the previous two years preparing for this diversification, which may turn out to be the company’s third big change. The first was when a 21-year-old Premji took charge at Wipro after his father’s sudden death; the next was when the vanaspati and soap maker transformed itself into a multi-billion dollar information technology giant in the 80s and 90s.

But for Premji, it’s not just a diversification. “Look at it in three dimensions: As a citizen, ecological sustainability is a global problem but completely unaddressed in India. So how do you influence… your employees, partners, customers? Second what can you do within the company? Third, we see incremental business opportunities that we can create in our existing businesses.” The business idea is simple. For the last quarter century, Wipro has been busy cutting technology and operational costs for some of the world’s largest corporations. Now, it wants to tell them how to cut energy usage and reduce their carbon footprint. It is convinced that green will be the largest force to influence the world economy in the years to come. According to a UN report last year, the global market for environmental products and services will double from $1.37 trillion at present to $2.74 trillion by 2020.

Chief Financial Officer Suresh Senapathy says green services and solutions will bring in up to one out of every four dollars of the company’s revenue, three years from now. In the financial year ending March 2009, Wipro had revenue of more than Rs. 25,000 crore. Even if the revenue were to stagnate, a fourth of it — Rs. 6,250 crore — from ecology is no small amount. The plan also aligns well with Premji’s desire to ease down IT’s profit contribution from 93 percent currently to 70 percent in the next few years.

Today it has 270 people in its water and eco energy businesses. In the last six months it has been setting up eco-friendly infrastructure for clients: A bio-gas plant in Taj Kovalam for recycling organic waste; sustainable lighting, cooling and recycling at Asian Paints’ Greenfield plant in Rohtak, Haryana; LED lights to reduce electricity bills at the Indian Institute of Management, Bangalore campus.

The Idea

The new idea was first thought up by the 41-year-old head of Wipro Infrastructure Engineering (WIN), Anurag Behar. The two new ecology businesses will be housed under WIN. In January 2007, Behar made the first formal presentation about the ecology business to Wipro’s board of directors. The board reacted positively but also advised caution: Ecology was a nascent field with rapidly evolving technology and Wipro should not get locked in a technology that ran the risk of becoming obsolete soon.

Rather than immediately start with manufacturing equipment, Wipro decided to enter the business as a consultant. “It’s the best way to learn about a new space. As you advise your customers, your knowledge base increases and later on if you want to make a bet, it is informed choice,” says T.K. Kurien, President, Wipro Consulting, global programs and strategic initiatives. “If we are in, we know which way the technology is going.”


Wipro’s approach to the business is measured. First, it will calculate the client company’s energy footprint and find a way to reduce that. Then, it will bring in renewable energy technology such as a micro windmill, solar lighting or a biogas plant to make the firm sustainable. But one question keeps coming back. Why should a large company entrust Wipro with all its energy problems, a domain that Wipro is not an expert in? The company is aware of that hurdle. It is also why Wipro is building the business slowly and is reluctant to set a big revenue target for it


Testing Ground

One way in which Wipro has sharpened its learning is to address its own energy problems first. That way, it becomes ecologically sustainable while gaining credibility with external customers.Wipro has turned its 50-acre campus at Electronic City in Bangalore into a test bed. While 25,000 software engineers write code for Fortune 500 corporations, waste food from the cafeteria turns into methane for lighting burners, harvested rainwater is used to cool air-conditioning towers, a paper pulping plant recycles waste paper into writing pads and a micro windmill lights bulbs along the perimeter of the campus. Wipro’s Sarjapur campus a few kilometres away has India’s largest LED installations — all compact fluorescent lamps have been replaced with LED lights, helping save 75 percent in electricity consumption. Since 2003, Wipro has cut water usage in its offices across India by nearly two-thirds.

Wipro is also building its knowledge by making beachhead acquisitions. One of them, Aquatech Industries, offers water purification solutions to industries. In May this year, Wipro signed a contract with the University of North Dakota, a leading expert on clean coal technology. It has tied up with 14 global technology partners and solution providers, ranging from a micro windmill manufacturer in Scotland to GE Energy. In some cases, Wipro will sell the products under its own brand. A lot of this work is systems integration (building a system with diverse components) of which Wipro has considerable experience.

Premji is aware that the only way for Wipro to truly become a “green” company — in its own operations and in offering solutions to customers — is when all business units come together. That’s why over the last one year, he and Behar have been getting other business unit heads to set targets for selling environment-friendly solutions and reducing emissions in their units. For the future, Senapathy says Wipro will evaluate financial and ecological returns before it takes on any new project for investment.


Leveraging IT for Green

Wipro wants to leverage its presence in two industries that directly have an impact on reducing energy consumption — IT and lighting. For instance, it combined lights with sensors so they would switch on and off based on ambient light. That helped Vineet Agarwal, Wipro’s head of consumer care and lighting business, win a large order from the Delhi metro rail project to provide lighting for 27 stations. Today green lighting accounts for 15 percent of Wipro’s lighting business. In fact, IT could play a significant role in helping corporations become green. While IT contributes only 2 percent to the global carbon footprint, it has a big role to play in reducing carbon emissions in the remaining 98 percent of the world’s businesses.

Besides, a green pitch is also a good way to shore up profitability. Operating margins in global IT business have fallen from 28 percent in 2003 to 21 percent last year. A few months ago, Wipro’s Global IT business started an energy consulting practice to offer green IT services to its Fortune 500 customers. In the next three years, Wipro’s goal is to have 10 percent of consulting revenues from green IT consulting (expected revenues: $500 million by 2011). It will invest $10 million to $15 million in the next three years in hiring people and building capability, tools, brand and marketing. “This is the absolute minimum that we are aiming for. If the market really opens up, then much more could be done,” says Girish Paranjpe, joint CEO, Wipro IT business. Green data centres and a carbon accounting tool called Hara (green) that can help a company measure its carbon emissions are some of the other ways in which Wipro is leveraging IT to make organisations more energy efficient.

FOUR GREEN HORSEMEN: Vineet Agarwal, Anurag Behar, Girish Paranjpe and Suresh Vaswani




Follower or Leader?
Wipro is hardly the only one to be thinking this way. Accenture, Deloitte, IBM and BT too are keen on the green IT services space. In November 2008, Gartner and WWF released a report naming the most environment-friendly companies in the information and communication technology sector. BT, Fujitsu, HP and IBM were doing a better job at handling climate change than others such as Cisco, SAP, Nokia and Wipro. Behar, while admitting that Wipro still has a long way to go before it can become completely ecologically sustainable, says that the point most people seem to miss is that Wipro is the only technology company from India that agreed to be tested for its environmental and climate commitment.
The company says ecology is a business for the long haul and that Wipro is now at the same juncture that it was when Premji first started the IT business in India 25 years ago. “No one knew then that offshore could be a $40 billion industry one day,” says Senapathy.

There is also the question of what happens to renewable energy technology at a time when the world economy is facing a slump. Initial cost of installation is higher for renewable energy than conventional energy. On Wall Street, stocks of renewable energy companies have taken a battering and there are concerns that funding for large-scale projects in wind and solar plants is drying up.
Wipro takes a contrarian stance. While the meltdown might hamper projects in the short term, it will work to the benefit of these companies in the long term, because hard times will force companies to look at saving costs by cutting energy bills. The challenge for Wipro is to establish its credentials in a market and industry where it seems to have no natural or geographical advantage. The West is clearly ahead in the game as far as the ecoology business goes. CEO Girish Paranjpe admits that selling these consulting services is currently more of a push from Wipro’s rather than a pull from the consumer.

“Wipro has always done well in following a trend rather than leading it. That’s how we have built our businesses. When everybody is getting into the market that is the wrong time to be going in. After a lot of people have gone bust, we can pick up assets at very good prices.” says Kurien

Vijay Mallya's Double Life

Vijay Mallya's Double Life
Beneath the cheerful opulence is a seasoned warrior battling to save his debt-ridden empire
Forbes India Magazine of 05 June, 2009

Burning tyre at Formula 1 races in Kuala Lumpur, Shanghai and Bahrain, cheering filly Set Alight at the Mumbai Derby, galloping to South Africa to watch Royal Challengers battle at the Indian Premier League (IPL). April was busier than usual for Vijay Mallya. But VT-VJM, his corporate jet that boasts of a Picasso as part of its beige and cream interiors, made it a breeze for the flamboyant booze baron. May has proved equally busy. As the IPL winds down, the corporate jet touched down in the south of France, the playground of the rich and famous. There, the Cannes film festival that brings together the glitterati and global media provided the perfect setting for Mallya’s big party. Previously, he had held parties at Cannes on his 312-foot yacht Indian Empress or at plush seven star hotels. But there’s no need for that anymore. Just a 10-minute boat ride away, on the picturesque island of Sainte Marguerite, is a $60-million villa that he owns. The black-tie event was hosted there on May 16.

Yet, in the middle of all this, Mallya has been leading a double life. He has spent the past few months negotiating for the survival of his empire. His debts have zoomed. So have his losses. The economic slowdown has made his daring bets of the boom period look like risky gambles. He must stem the losses, or even the healthier parts of his business will fall prey.Since April, Forbes India has tried to get in touch with Mallya as well as the senior management of his group companies in Mumbai and Bangalore for this story. But the officials have been consistently travelling or too busy to respond.

Mallya has accumulated about Rs. 14,000 crore worth of debt spread across his liquor and airline businesses through costly acquisitions of global liquor companies like Whyte and Mackay and a bleeding balance sheet courtesy Kingfisher Airlines. In an email to Forbes India just before we went to press, Mallya said the number is “grossly overstated”. Refusing to answer a specific question on the debt he said, “The UB Group comprises several independent public and private companies…. Each independent company has its debt and its cash-flows and there is no case for aggregation.” However, a look at the published results for six listed companies in the group reveals a total debt of Rs. 14,231 crore for Kingfisher Airlines, United Spirits (USL), UB Holding, Mangalore Chemicals, UB Engineering and United Breweries (UB).

Supersonic Loss-making

At the core of this battle is Kingfisher Airlines, losing cash at an alarming rate in the middle of the decade’s biggest fall in passenger turnout. The debt on the airline’s books is over Rs. 5,000 crore, much of it guaranteed by United Breweries Holding Ltd., the group’s holding entity. As the airline’s monthly losses have crossed Rs. 200 crore, Mallya has no option but to push for more corporate guarantees from his other companies. Already, UB Holding is seeking shareholder approval for doubling the limit of its corporate guarantees to Rs. 12,000 crore. Most of these will be to support loans taken for Kingfisher Airlines. It’s a pressure cooker situation inside the airline, say insiders. Four months ago, aircraft leasing company GE Commercial Aviation (GECAS) wrested back four jets it had leased to Kingfisher after the airline defaulted on lease payments. Since then, dozens of other lenders and suppliers have begun turning the screws. Among them are oil companies who have threatened to stop supplying fuel, unless Mallya settles their dues of nearly Rs. 1,000 crore.

The face of the smiling host at the French Riviera hardly showed it, but panic is spreading within the UB group. At Kingfisher, Mallya’s attempt to stem the cash burn has yielded few results and the cash-burn continues this quarter. Five of the A330 aircraft that Mallya so fondly fitted with bars, bartenders and chefs are either parked at airports or flying with many empty seats. The lease rental for each of the long-haul planes is about $1 million a month (Rs. 5 crore), and they are being used to operate the airline’s two international flights to London and Colombo.

If you took a peek into Mallya’s second life in the past two-three months, you would see him stalking the dusty corridors of the ministries of finance and aviation in Delhi, schmoozing with junior bureaucrats that he would have otherwise never condescended to acknowledge. The purpose? To lobby for soft loans and softer terms for airline repayments plus permission for foreign airlines to invest in Indian carriers. But the policy is in a flux and his bitter rival, Naresh Goyal of Jet Airways, has managed to counter-lobby and delay a decision till now.





Between the Cup and the Lip

Mallya’s golden goose, of course, is his alcohol business. Both beer and white spirits have been growing at 20 percent, the highest for any liquor company globally. USL has 52 percent market share. It is this edge that Mallya will try to cash on. It is quite another matter that the company has debts of Rs. 6,225 crore weakening its bargaining position. He has explored deals with Asahi and Bacardi, before starting protracted talks with the world’s largest liquor company, Diageo, to sell a stake in USL. He hasn’t yet accepted the offered price. It’s a game of brinkmanship.

But his counterparties know he is neck-deep in debt and must sell quickly. Earlier this month, the Diageo Asia-Pacific President John Pollaers said, “We have been in discussion, but we haven’t yet been able to find a structure that is acceptable to both partners. We shouldn’t assume that this will lead to a transaction overall.” USL stock price fell 8 percent on the day Mallya issued a statement saying talks were still on and were slow because of anti-trust tangles.

A lesser businessman might have caved in under the burden but not Mallya. The celebrations seem to go on forever. He is waiting for that magic moment when all the deals will materialise and blow away the debt. “I’ve never seen Vijay even remotely ruffled. He is super confident that he’ll be able to get things to work out,” says a leading banker who does business with Mallya but prefers to stay anonymous.


Between Life and Debt

Those who know him closely say he will pull through, just like he has done on many occasions in the past. Playing a high-stakes game has always been Mallya’s style. “Vijay has always been up to his eyeballs in debt,” says a senior investment banker, who does not wish to be quoted because he’s worried that he would be barred from the grand parties on Mallya’s yacht.

Not all is lost yet. This month, one confidence building measure he managed to swing is a marketing agreement with Dutch beer maker Heineken to sell the latter’s brands through the UB network. The deal is expected to fetch UB Rs. 300 crore

You’ve got to grant Mallya one thing: Not many tycoons can hope to mix champagne with debt covenants as adeptly as he does — and still retain their spunk

But the alarming levels of debt have spooked bankers. So while Mallya is pushing for a package of about Rs. 2,000 crore to pull his airline out from the brink, negotiations have been hard and the bankers are insisting on tough contracts, like securitised payments that mortgage the future earnings of the airline. “With more money being borrowed to fund higher losses, there is a danger of getting into a debt-trap,” says one banker working on the deal. Also, there is no sign of any meaningful turnaround in the business, which the bankers were promised early this year.

As of now, it is a battle of attrition between the bankers and the UB group financial team led by Mallya and his lieutenant Ravi Nedungadi, who has seen him through several tight corners. “He is a man with many lives,” says Ravi Jain, promoter of wine company Vallee de Vin and one who has worked at close quarters with Mallya at Shaw Wallace. He echoes popular belief when he says, “He just needs to hang in there for some more time. Things will change when the market recovers.”


Time is Running Out

Mallya urgently wants to conclude at least two deals. First, he has set a target to raise $800 million for a 14.9 percent stake in USL. Diageo is likely to be the partner for this, though he has not stopped talking to Asahi or Bacardi. He is also banking on a 49 percent stake sale in Scotch whisky maker Whyte and Mackay with a distribution management deal. If this works out, he’s hoping to make USL debt-free in one fell swoop. Mallya is also said to be negotiating with private equity firms for offloading a large stake in USL and Whyte and Mackay.

Mallya confirmed in his email response that there was strong interest from PE players. So till these two deals are consummated, Mallya has to hang in there. But before that, he’s got to take some hard decisions in his airline business. Over the past six months, the situation has become precarious: Overall capacity in the market has fallen with most airlines pruning operations.

“In Kingfisher’s case, the problem was that Mallya had his foot on the accelerator till much too late,” says Nigel Harwood, now CEO of Interglobe Aviation but who had been the CEO of Kingfisher Airlines during 2005-06. Even as global airlines started to hurt from overcapacity, Mallya relentlessly pursued new purchases that have led to the current mess.

One immediate way out is to stop international operations and focus on domestic flights. (The airline operates daily to over-served routes to London from Mumbai and Bangalore.) But this could be hard for Mallya who was personally involved in charting the flight plan for the global rollout to connect Europe, Singapore, Dubai and San Francisco.

A possible cut-back also means Mallya will have to play second fiddle to the man he loves to hate: Naresh Goyal, the London-based owner of Jet Airways. Mallya had vowed that he would best Jet and snatch the title of the king of the skies from Jet. So instead of pushing back, he forged ahead with plans for a new Bangalore-Dubai flight from June 25. Mallya remains hopeful that the new government would allow Indian airlines to sell a stake to foreign investors, but even if that happens, at current valuations, he is unlikely to get more than Rs. 500 crore for 49 percent of Kingfisher Airlines.

Till his deals fructify at the valuations he seeks, Mallya is hoping that a team of public sector banks share his burden. He has managed to get audiences with the chairmen of at least three PSBs, including State Bank of India, to ask for a new line of credit for his floundering airline. In his meetings in North Block with the joint secretary of banking, Mallya has relentlessly pitched for loan restructuring and easier terms from lenders. His argument: Airline companies were hit first by rising oil prices and now by depressed demand, and need help. SBI has already provided Rs. 500 crore of an approved loan of Rs. 900 crore. Other PSU banks are expected to chip in with about Rs. 1,000 crore more.

It’s only a matter of time before the king of good times gets a lifeline thrown to him to fly high all over again.

(Vijay Mallya was born on December 18, 1955. He is the Chairman of the United Breweries Group and Kingfisher Airlines, The United Breweries Group`s flagship beer brand; Kingfisher is famous across the world.
Mallya`s hometown is Bantwal, Mangalore in Karnataka. He finished his degree from St. Xavier`s College, Calcutta. He later set up business ventures in Dubai, United Arab Emirates. Mallya married twice so far. His first wife was Sameera and they have a son together, named Sidhartha Vijay Mallya. Later on, he got married to Rekha and has two daughters Leana and Tanya Mallya and one son.
In 1983, Mallya took over as Chairman of the United Breweries Group. Under his leadership the group has expanded significantly to turn into a multi billion dollar conglomerate. His group is engaged in several business activities like alcoholic beverages, life sciences, engineering, agriculture, chemicals, information technology, aviation and leisure.
In 2005 he acquired Millennium Breweries Ltd which brought the two premium beer brands named Sandpiper and Zingaro under his kitty. In May 2007, United Breweries Group acquired the Scotch whisky maker Whyte & Mackay for 595 million pounds in an all cash deal.
Vijay Mallya formed Kingfisher Airlines in the year 2005. Mallya`s Kingfisher airlines acquired Air Deccan, a low cost Indian airline which was subsequently integrated into his Kingfisher fleet, Vijay Mallya and his Jet Airways counterpart Naresh Goyal joined hands together after a marathon meeting on 13th October 2008 at Mumbai, India. The alliance will include code-sharing on both domestic and international flights, joint fuel management to reduce expenses, common ground handling, and joint utilisation of crew and sharing of similar frequent flier programme.)

Tuesday, June 30, 2009

Roman Polanski

Roman Polanski(Roman Raymond Polański (born August 18, 1933) is one of the most controversial contemporary directors in Cinema History.His name has become synonymous with events from his personal life, which in fact have at times detracted and taken precedence from his work as a filmmaker.

Roman has created films that unnerve and horrify the viewer such as "Rosemary's baby" and "The Tenant", as well as the masterpiece "Chinatown" starring, Jack Nicholson. He also directed the comedy vampire movie "Dance of the Vampires (also known as The Fearless Vampire Killers) and the period drama "Tess" based on the novel by Thomas Hardy starring, Nastassja Kinski. Both of these films exude a haunting yet luminous beauty.

As a filmmaker he is exceptional in his ability to produce works with a disturbing mood and atmosphere of suspense that is impossible to replicate. His hallmark is to utilize seemingly everyday events and situations and then expose the undercurrent of evil that lies beneath; he explores the thin line between madness and sanity with compelling expertise and intuitive mastery


Roman Polanski was born to Polish parents in Paris 1933. They moved to Krakow, Poland, when Romanwas still a toddler. Roman grew up in a constricted communist environment; however, he had a highlycreative intellect and created his own exceptional world of fantasy. His imagination was the key that helped him overcome the horror of War in Europe.

Whenever Roman had a chance to visit the theatre he had no uncertainties that one day he would appearon centre stage or behind the camera as a director, Roman was an incredibly confident child with grandaspirations.

Roman's father owned a plastics business in Krakow, although his parents were not rich they provided Roman with everything he needed. He was a child who in his own words "wanted everything his own way".His childhood would soon be shattered as War began in Poland.
The changes to the Jewish community began slowly and unpleasantly when Roman's parents were told to wear white armbands with the Star of David stencilled on them in blue. Roman was told it was because they were Jewish, although his parents did not practice their religion and his mother was only partlyJewish.

They were forced to move home by the Krakow Municipal Authorities. Soon after moving, Roman's sisterpointed outside the window and Roman looked out to see men building a wall, he and his family werebeing imprisoned in a Jewish ghetto. During this time both his parents were taken to concentration camps, his mother was never to return. Roman always believed he would see her again as he had no knowledge of the Third Reich's 'Final Solution' and he never had the opportunity to say goodbye to her.

His father had paid a family to look after Roman and he was moved from one place to another doing anything he could to survive. There were times of play amongst the ruined buildings of Poland with other children, yet he would always be a witness to brutality and depravity as the war continued witnessing scenes of inhumanity.

At the end of the World War II he was reunited with his father and began to pursue his dreams of having a career in the film industry, he started by working on a Children's radio programme called"The Merry Gang". He soon acquired a lead role in "The Son of the Regiment" the story of a Russian peasant boy. He attended Art School and finally with the help of Andrzej Wajda the great Polish directorhe applied to and was accepted at the Lodz Film School, the world of film and fantasy and the door to his dreams. At the film school his talent was readily apparent in his first student film "Two Men and a Wardrobe". He longed to escape Poland and travel abroad to America and Paris.

The first film he made that received significant attention was "Knife in the Water" made in 1962, this was nominated for an Academy Award for best foreign language film. He then directed three films in England including "Cul de Sac" and "Repulsion" starring Catherine Deneuve as a young woman suffering from a mental illness.

He married the gentle, and talented actress Sharon Tate who starred in "The Dance of the Vampires", whowas brutally murdered in 1969. His next film "Macbeth" is notorious for it's violent and bloody adaptation of the play by the English playwright, William Shakespeare.

Relationship with Sharon Tate, Rosemary's Baby (1968), and the Manson murders


Polanski met rising actress Sharon Tate shortly before filming The Fearless Vampire Killers (she was known to producerMartin Ransohoff), and during the production the two of them began dating. On January 20, 1968, Polanski married Sharon Tate in London. In his autobiography, Polanski described his brief time with Tate as the best years of his life. During this period, he also became friends with martial-arts master and actor Bruce Lee.

Shortly after, in 1968, Polanski went to the United States, where he established his reputation as a major commercial filmmaker with the success of his first Hollywood film, Rosemary's Baby, based on the recent popular novel of the same name by Ira Levin. The film is a horror-thriller set in New York about Rosemary (Mia Farrow), an innocent young woman from Omaha, Nebraska, who is impregnated by the devil after her narcissistic actor husband, Guy (John Cassavetes), offersher womb to a coven of local witches in exchange for a successful career. Polanski's screenplay adaptation earned him asecond Academy Award nomination.

In April 1969, Polanski's friend and collaborator, the composer Krzysztof Komeda (1931-1969), died from head injuries sustained from a skiing accident, though other accounts of the cause of his death exist. After the short Two Men and aWardrobe, he scored all of Polanski's feature films (with the exception of Repulsion), and is probably best known in the U.S. for his final collaboration with the director: the haunting soundtrack to Rosemary's Baby.

On August 9, 1969, Tate, who was eight months pregnant with the couple's first child (a boy), and four others (AbigailFolger, Jay Sebring, Wojciech Frykowski, and Steven Parent) were brutally murdered by members of Charles Manson's "Family", who entered the Polanskis' rented home at 10050 Cielo Drive in the Hollywood Hills intending to "kill everyone there".Previous resident Terry Melcher (son of film icon Doris Day) had angered Charles Manson because he had declined to record some of his music. Melcher and his girlfriend at the time, actress Candice Bergen, had been living at the house but moved out in February 1969. The following month, Polanski and Tate moved in.

When Manson ordered members of his group to go to the property and kill everyone, they obeyed. After Parent, Sebring,Frykowski, and Folger had been murdered, Tate pleaded for the life of her unborn son. Susan Atkins replied that she felt no pity for her and began stabbing her.
Polanski was at his house in London at the time of the murders and immediately traveled to Los Angeles, where he was questioned by police. As there were no suspects in the case, police checked on the past history of Polanski and Tate to try to determine a motive. After a period of months, Manson and his "family" were arrested on unrelated charges, which revealed evidence of what came to be known as the Tate-LaBianca murders. Polanski returned to Europe shortly afterthe killers were arrested. He later said that he gave away all his possessions as everything reminded him of Tate and was too painful for him. His greatest regret was that he was not in Los Angeles with Tate on the night of the murders.

Sex crime allegations
In 1977, Polanski, then aged 44, became embroiled in a scandal involving 13-year-old Samantha Geimer (then known as SamanthaGailey). It ultimately led to Polanski's guilty plea to the charge of unlawful sexual intercourse with a minor.

According to Geimer, Polanski asked Geimer's mother if he could photograph the girl for the French edition of Vogue, which Polanski had been invited to guest-edit. Her mother allowed a private photo shoot. According to Geimer in a 2003 interview,"Everything was going fine; then he asked me to change, well, in front of him." She added, "It didn't feel right, and I didn't want to go back to the second shoot."

Geimer later agreed to a second session, which took place on March 10, 1977 at the Mulholland area home of actor JackNicholson in Los Angeles. "We did photos with me drinking champagne," Geimer says. "Toward the end it got a little scary, and I realized he had other intentions and I knew I was not where I should be. I just didn't quite know how to get myself out of there." Geimer testified that Polanski performed various sexual acts on her, after giving her a combination of champagne and quaaludes. In the 2003 interview, Geimer says she resisted. "I said no several times, and then, well, gave up on that."

In his autobiography, Roman by Polanski,Polanski alleged that Geimer's mother had set up her daughter as part of a casting couch and blackmail scheme against him.

Charges and guilty pleaPolanski was initially charged with rape by use of drugs, perversion, sodomy, lewd and lascivious act upon a child under 14, and furnishing a controlled substance (methaqualone) to a minor. These charges were dismissed under the terms of his plea bargain, and he pleaded guilty to the lesser charge of engaging in unlawful sexual intercourse with a minor.


Imprisonment and flight


Following the plea agreement, according to the aforementioned documentary, the court ordered Polanski to report to a stateprison for a 90-day psychiatric evaluation, but granted a stay of ninety days to allow him to complete his current project.under the terms set by the court, he was permitted to travel abroad. Polanski returned to California and reported to Chino State Prison for the evaluation period, and was released after 42 days.


On February 1, 1978, Polanski fled to London, where he maintained residency. A day later he traveled on to France, where he held citizenship, avoiding the risk of extradition to the U.S. by Britain. Consistent with its extradition treaty with the United States, France can refuse to extradite its own citizens. An extradition request later filed by U.S. officials was denied. The United States government can request that Polanski be prosecuted on the California charges by the French authorities.


Polanski has never returned to England, and later sold his home in absentia. The United States can still request the arrestand extradition of Polanski from other countries should he visit them, and Polanski has avoided visits to countries that are likely to extradite him (such as the UK) and mostly travels and works in France, Germany, the Czech Republic and Poland

Polanski and Emmanuelle Seigner
Polanski and Seigner married in 1989. They have two children, daughter Morgane and son Elvis, whom is named after Polanski's favorite singer, Elvis Presley.

Current projectsPolanski made a cameo appearance in Rush Hour 3 (2007) as a French police official. After a failed attempt to adapt Robert Harris' Pompeii,he is currently directing an adaptation of Harris' The Ghost, a novel about a writer who stumbles upon a secret while ghosting the autobiography of a former British prime minister. It will star Ewan McGregor as the writerand Pierce Brosnan as the prime minister. Filming takes place in Germany by the Babelsberg Studios

Style and themes

Most of Polanski's films are psychological suspense thrillers, notable for their deliberate pacing, carefully established mood and atmosphere, and often Gothic treatment of settings and characters.As a stylist, Polanski favors long takes,deep-focus photography, detailed mise-en-scène and wide panoramic compositions;jump cuts and montage almost never appearin his work.


A recurring theme in his films is the relationship between victim and perpetrator, and the unstable and shifting dynamics of these power relations are often resolved in sudden outbursts of senseless violence. Many of Polanski's films (especially his early works) deal with characters struggling for mastery over an intractable situation and feature a circular plot structure — i.e., the action is framed by an ironic recurrence of events or reversal of fortunes at the conclusion.
In this sense, Polanski's oeuvre — particularly, his most celebrated work from the 1950s through to the 1970s — seems to reflect a decidedly pessimistic and desolate absurdist worldview. However, Polanski's old tendency towards unremittingbleakness appears to have mellowed in recent years, with films like Death and the Maiden, The Pianist and Oliver Twist ultimately imparting a more hopeful view of human nature and admitting the possibility of redemptive action in the face ofa hostile and incomprehensible universe.


Oscar
Received his first best director Oscar for the movie The Pianist (2002) five months after the awards ceremony. His friend, Harrison Ford, flew to France to present Polanski the award, since the director would be immediately arrested and incarcerated due to outstanding warrants stemming from his fleeing the US after his 1978 statutory rape conviction to avoid imprisonment. [8 September 2003].


Won the Best Director Oscar in 2003 for The Pianist (2002) at the age of 69 years and 7 months, making him the oldest person ever to win that award to that point in time. Polanski eclipsed the record previously held by George Cukor, whowas 65 when he won for directing My Fair Lady (1964). This record was beaten in 2005 when Clint Eastwood won at the ageof 74 for Million Dollar Baby (2004).

Personal Quotes


My films are the expression of momentary desires. I follow my instincts, but in a disciplined way.


[On filmmaking] "You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity."


[On his style of filmmaking] "I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line."


Cinema should make you forget you are sitting in a theater.


I never made a film which fully satisfied me


Every failure made me more confident. Because I wanted even more to achieve as revenge. To show that I could







The Tenant(Le Locataire)-1976

The Tenant (French: Le Locataire) is a 1976 psychological thriller/horror film directed by Roman Polanski based upon the 1964 novel Le locataire chimérique by Roland Topor. It is also known under the French title Le Locataire. It co-stars actress Isabelle Adjani. It is the last film in Polanski's "Apartment Trilogy", following Repulsion and Rosemary'sBaby. It was entered into the 1976 Cannes Film Festival.

Director Roman Polanski casts himself in the lead of the psychological thriller
The Tenant.Trelkovsky (Polanski) rents an apartment in a spooky old residential building, where his neighbors -- mostly old recluses -- eye him with suspicious contempt. Upon discovering thatthe apartment's previous tenant, a beautiful young woman, jumped from the window in a suicide attempt, Trelkovsky begins obsessing over the dead woman. Growing increasinglyparanoid, Trelkovsky convinces himself that his neighbors plan to kill him. He even comes to the conclusion that Stella (Isabel Adjani), the woman he has fallen in love with, is inon the "plot." Ultimately, Polanski assumes the identity of the suicide victim -- and inherits her self-destructive urges.

The Tenant Interview
This interview is from two very old newspaper clippings, I do not have the exact date, however it was conducted during the filming of "The Tenant" which will have been around 1975 I should think.. Here Polanski discusses the movie and also many interesting opinions on filmmaking.

Polanski in Paris By A. ALVAREZ

The unpredictable Polish director Roman Polanski once remarked that he would like to make a movie that has only one character. "The Tenant," the story he is now filming in Paris, is not quite that-the cast includes Shelley Winters, Melvyn Douglas and Isabelle Adjani, who won acclaim in Truffaut's "The. Story of Adele H."-. But the hero, a man in the grip of a peculiarly distressing, ultimately fatal paranoia, is in almost every scene. And that hero is played by Polanski himself who, as well as directing, also collaborated on the script.

Polanski is in his early 40's and looks at least 10 years younger. His hair is thick and brown, without a trace of gray, his face, boyishly unlined. He is small trim fit and self-contained, a sharply defined presence, nothing blurred about him-which means not much emotion and no indecision at all. He looks as if he lives his life as he drives his Ferrari-with skill, precision, impatience with other people's hesitations, and no room for error. When at the start of a recent interview I remarked how young he looks, be said, "Age is a state of mind," and changed the subject.

Unlike "The Tenant's" doomed protagonist, Polanski is a survivor, and he has the survivor's knack of never looking back, a knack which he developed to a fine pitch so long ago that he is no longer aware of it. After all, he has had to be self-sufficient since the age of 8, when he escaped from the Cracow ghetto and went to live with a family of peasants. His parents were less lucky: they were rounded up and sent to Auschwitz, where his mother died. His father remarried when he returned Polanski chose not to live with him. He was 12 by then..

Polanski found solace in acting, attending art school, and, finally, studying at the famous film school at Lodz. In 1958, as his senior thesis, he wrote and directed a brilliant surrealist short, "Two Men and a Wardrobe," and went on to establish himself as a major figure on the international film scene with such stunning works as "Knife in the Water," "Repulsion" and "Rosemary's Baby." With the latter film, one of the, biggest box-office hits of 1968, Polanski graduated into the genuine big time and he seemed invulnerable: professionally, acclaimed, financially successful and married, at last to Sharon Tate, "the only girl," says his friend Kenneth Tynan, "who ever moved into his life on equal terms."

Yet within a few months he was again reaching for his survival kit: Charles Manson's butchers' repeated what Nazis had done 25 years before. It took Polanski five years and two failures "Macbeth" and "What?"-to recover his stride. Then came "Chinatown," his best movie since "Knife in the Water." And now, with "The Tenant," it is more evident than ever that Pólanski is content only with total control: starring, directing, co-scripting, arguing technicalities with the technicians, camera angles with the great Sven Nykvist, Ingrnar Bergman's cameraman-and advertising campaigns with the publicity experts. I asked him if it wasn't hard to take on all these roles at once, particularly to act and direct. "No," he said. "That's easy, because it's one less person to argue with. It's not difficult to direct while acting. The difficulty is to act while directing. You stand in front of the camera and the moment the clapperboard claps you should concentrate, disconnect yourself from what's around you. If you keep thinking about lights and other people's performances and marks on the floor, then you can't act."

As a director, Polanski is a stern perfectionist. While I was at the studio, he did 30 takes of one sequence before he was satisfied. The first 15 came at the end of what had already been a long day's shooting. Polanski was playing a scene with Isabelle Adjani in which the hero goes back to the apartment of his sensual, but none too bright, girl friend. Both of- them are drunk, at cross-purposes. He wants to air his gathering paranoia; she wants to get him to bed. They sit together at a table, talking and drinking, and then she leads him to bed and undresses him while -he maunders drunkenly on. It was a long and difficult sequence, which might have been made easier if Polanski had broken it into shorter takes. I asked him why he hadn't done so.

"It's a gamble, but long takes create an atmosphere which might be lost by stopping every two seconds. That way, you don't have any continuity in the acting. To get the best out of actors, you have to give them time to build up. You don't have to use it all, but there's a chance of a better performance."

That evening, however, there was neither atmosphere nor continuity. Isabelle Adjani can convey feeling simply by moving her hand and she has one of those mobile faces, which can express anything, like a miracle plastic. But she was having difficulty with her English pronunciation, and both she and Polansk seemed to be fighting the script. There was also some tricky business with a Couple of glasses and a tequila bottle, which kept going wrong. The tension and frustration mounted steadily. Polanski tried using real tequila instead of water, but that only made things worse. At 8:30, he gave up 'and the exhausted company adjourned to the projection room to watch the previous day's rushes. At noon the next day they started again. This time it went more smoothly, although it took another 15 takes before Polanski was satisfied. At no point did he relent. He was tough and demanding with Miss Adjani and the crew, a man not generous with his praise. Was this deliberate?

"I just want them to do the job. I don't know whether that's a fault or a virtue. A lot depends on whom you are working with; every actor is different and requires a different approach. Faye Dunaway, for instance, is very temperamental, while Jack Nicholson has no temperament at all. He is one of the easiest persons to work with I've come across, and a very good actor."
What about politics? "Knife in the Water," which was made in Poland, was highly political, and many critics found political significance in "Chinatown."

"You make a film in a certain country, and if the subject is rooted in that place, then it is inevitable that it has some kind of political implication. 'Chinatown' was about a big swindle and the hero was a detective. Naturally, there were parallels with what's been happening in America. 'The Tenant' is a psychological drama of suspense about a man who is disintegrating mentally, so it doesn't have much to do with what's happening in France now. But that doesn't mean that it's not going to be deeply French. This is the most important thing in filmmaking: when you set your story somewhere it has to happen there-very French if it happens in France, very Polish in Poland. If you set it in Transylvania you must be sure it's very Transylvanian. You must establish where it happened. If the setting is a land of fantasy, you have to know everything about that land. You have to know the life of the imaginary place and then conform to the rules. The more lies you tell, the more you have to pretend they are true. That's where a lot of movies fail: you feel all the details are wrong; you just aren't convinced."

I mentioned that I had not been much convinced by the details in the Roland topor novel on which 'The Tenant" is based. It concerns a nondescript young clerk who takes over a dreary, faintly sinister Paris apartment from a woman who has fatally injured herself by jumping out of the window. Gradually, the clerk comes to believe that the other inhabitants of the building are trying to drive him, too, to suicide and he begins to fall apart. Everywhere he sees plots, the menacing signs and symbols of malice. He tries to escape but is drawn back, despite himself. He ends by dressing up as a woman and jumping from the window. It is effective melodrama, but as a study of madness it seemed to me sub - Kafka, rather naive. But perhaps that is the rule: good films come out of indifferent novels, and vice versa. Is literary excellence an inhibition for the moviemaker?

"No. I think great literature is unfilmable because its real value lies in the way it's written and not what it's about. Faulkner, for example, is a great writer but there has never been a good film made out any of his novels. That doesn't mean it can't be done, just that it's impossible to render the real value of literature through a camera. Assuming you have no inhibitions about the masterpiece, how do you render in images what has been achieved by words? You are forced to be pictorially literal, or to use parts of the book as a commentary or as internal dialogue. But that's not the way. The most perfect writing is poetry, but how can you translate a poem by Baudelaire into film? All you can do is show the story of the poem, and that's not it at all."
There are three main ingredients in a movie-the director, the stars and the script. In "The Tenant" he has assumed responsibility for all three. Which did he think the most important?
"To me personally, the script. For the simple reason that I have no time to think to conceive and to analyse during the period of shooting So I have to, be sure that I can rely on what Is written and if I just film it the way I anticipated, I won't go wrong. I have room for improvisation only within what's written in the script.

Polanski is now an international man, constantly on the move and speaking five languages-Polish, Russian, English, French and Italian. But he has kept his Polish passport t and, since the fall of Gomulka, has again become a figure on the Polish scene The Polish people, he says are proud of 'him. I asked him if he ever considered settling down In Poland

"If I am nostalgic, it is for friends and situations more than for the place. But I don't think you can ever have them back again, 'even if you try. Going back somewhere doesn't necessarily bring back what you had, loved or admired. Quite the contrary, it's usually a disappointment. Certain things have happened and they never come back again."


Saturday, June 27, 2009

Majid Majidi's"The Song of the Sparrows"


Review:Janos Gereben


There is no better way to tour Teheran than on a motorbike with a man whose ostrich ran away. One of the many charms of Majid Majidi's wonderful new film, "The Song of the Sparrow" (Avaze gonjeshk-ha), is seeing the present-day capital from the streets as Karim is winding his way through traffic.
When we first meet weather-beaten, boxer-nosed, prematurely aged Karim (Mohammad Amir Naji, Berlin Film Festival award winner), he works at an ostrich farm, but when one of his charges escapes, and he is fired.
Without a job, supporting a family of four - including a teen daughter whose hearing aid needs to be replaced - Karim rides his motorbike to the city, and before he knows, he becomes a cycle-taxi driver.
From that point on, it's a fascinating travelogue both of the city and of Karim's urban pilgrimage through sins and redemptions, petty compromises with morality and heroic attempts to make up for his missteps.
With his sure touch, Majidi - director of the superb 1997 "Children of Heaven," and the 2001 "Baran," which also starred Naji - uses non-professional cast brilliantly; the children are especially a wonder to behold.
"In the name of God" says the opening frame of the film, which is mixing gritty, hilarious, affecting reality with respectful treatment of religion, so that it may be safe from the Revolutionary Guard, whoever wins today's election there - as if there was a question about that.

.

Friday, June 26, 2009

Michael Jackson's death should teach us all a money lesson


Michael Jackson's death should teach us all a money lesson
Sarah Coles



Michael Jackson dead eh, who'd have thought it?
When I heard the news last night it was so unexpected I assumed it was the build-up to a particularly bad-taste joke. It was just so unexpected.
Now this is going to sound a bit heartless, but this sad news should get us all thinking about money.
It shows us that one day, maybe when we're least expecting it, we're all going to die.
I know, not particularly cheery stuff.
We all think it's some date far off in the future, and that we're all going to have a chance long before then to sit down and think about how our family are going to cope financially after we've gone.
But as Michael found, these things can just come out of the blue.
There's no telling what state Michael's finances were in. He made a lot of money, but he also knew how to spend it. But with three young kinds on the scene you can only hope he at least did something sensible for them.
And it's important that we all do.
There are three things this should prompt us to do.


The first is to make sure you have a will. If you don't, when you die, your family will have no choice about how any money or debts are divided – it's all according to a particular set of rules. An unmarried, childless person, who may have a partner with three kids will see the bulk of their estate passed to their own parents, and their partner get nothing. So think about it.


The second thing is to think about the state of your finances. If you die with debts, this is what your family will inherit, so think of it as a problem you're saving up to dump on those you care most about, and do something constructive about your debts.


And finally, get yourself some life insurance. It's not enough just to cover the cost of the mortgage. If you have kids you'll need a sum to cover childcare or living costs if your other half has to give up work.


Think about it carefully. These things aren't to be taken lightly.
So all in all, a depressing day, but one that could make all the difference in the world to your family if you choose to act as a result of it

RIP:Michael Jackson

HIGH LIFE IN FAST LANE
"Keep on with the force don't stop
Don't stop 'til you get enough"
----Michael Jackson

Monday, June 22, 2009

A Poison Tree


A Poison Tree

--William Blake (1757 - 1827)


I was angry with my friend:

I told my wrath, my wrath did end.

I was angry with my foe:

I told it not, my wrath did grow.


And I watered it in fears,

Night and morning with my tears;

And I sunned it with smiles,

And with soft deceitful wiles.


And it grew both day and night,

Till it bore an apple bright.

And my foe beheld it shine.

And he knew that it was mine,


And into my garden stole

When the night had veiled the pole;

In the morning glad I see

My foe outstretched beneath the tree

The First Jasmines by Rabindranath Tagore


Ah, these jasmines, these white jasmines!

I seem to remember the first day when I filled my hands

with these jasmines, these white jasmines.


I have loved the sunlight, the sky and the green earth;

I have heard the liquid murmur of the river

through the darkness of midnight;

Autumn sunsets have come to me at the bend of the road

in the lonely waste, like a bride raising her veil

to accept her lover.

Yet my memory is still sweet with the first white jasmines

that I held in my hands when I was a child.

Many a glad day has come in my life,

and I have laughed with merrymakers on festival nights.

On grey mornings of rain

I have crooned many an idle song.


I have worn round my neck the evening wreath of

BAKULAS woven by the hand of love.

Yet my heart is sweet with the memory of the first fresh jasmines

that filled my hands when I was a child.

Khalil Gibran Poems


Kahlil Gibran was a poet, philosopher, and artist. Kahlil Gibran was born in Lebanon, a land that has produced many prophets and is widely considered to be on the greatest Arabic prophets of our age. His writings have been translated into many languages and his fame and influence have spread far beyond the middle East. Kahlil's most famous work is his short book "The Prophet" (1923). The prophet is a book of 26 poetic essays which deal with issues such as birth and death.
In 1895 Gibran and his family moved to the US where Kahlil lived until his death in 1931

" Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love "


1.Joy and Sorrow


Then a woman said, "Speak to us of Joy and Sorrow."
And he answered:
Your joy is your sorrow unmasked.
And the selfsame well from which your laughter rises was oftentimes filled with your tears.
And how else can it be?
The deeper that sorrow carves into your being, the more joy you can contain.
Is not the cup that hold your wine the very cup that was burned in the potter's oven?
And is not the lute that soothes your spirit, the very wood that was hollowed with knives?
When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.
When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.
Some of you say, "Joy is greater than sorrow," and others say, "Nay, sorrow is the greater."
But I say unto you, they are inseparable.
Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.
Verily you are suspended like scales between your sorrow and your joy.
Only when you are empty are you at standstill and balanced.
When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.


2.The Beauty of Death


Part One - The Calling

Let me sleep, for my soul is intoxicated with love and

Let me rest, for my spirit has had its bounty of days and nights;

Light the candles and burn the incense around my bed, and

Scatter leaves of jasmine and roses over my body;

Embalm my hair with frankincense and sprinkle my feet with perfume,

And read what the hand of Death has written on my forehead


Let me rest in the arms of Slumber, for my open eyes are tired;

Let the silver-stringed lyre quiver and soothe my spirit;

Weave from the harp and lute a veil around my withering heart.


Sing of the past as you behold the dawn of hope in my eyes, for

It's magic meaning is a soft bed upon which my heart rests.


Dry your tears, my friends, and raise your heads as the flowers

Raise their crowns to greet the dawn.

Look at the bride of Death standing like a column of light

Between my bed and the infinite;

Hold your breath and listen with me to the beckoning rustle of

Her white wings


Come close and bid me farewell; touch my eyes with smiling lips.

Let the children grasp my hands with soft and rosy fingers;

Let the ages place their veined hands upon my head and bless me;

Let the virgins come close and see the shadow of God in my eyes,

And hear the echo of His will racing with my breath.


Part Two - The Ascending


I have passed a mountain peak and my soul is soaring in the

Firmament of complete and unbound freedom;

I am far, far away, my companions, and the clouds are

Hiding the hills from my eyes.

The valleys are becoming flooded with an ocean of silence, and the

Hands of oblivion are engulfing the roads and the houses;

The prairies and fields are disappearing behind a white specter

That looks like the spring cloud, yellow as the candlelight

And red as the twilight.


The songs of the waves and the hymns of the streams

Are scattered, and the voices of the throngs reduced to silence;

And I can hear naught but the music of Eternity

In exact harmony with the spirit's desires.

I am cloaked in full whiteness;

I am in comfort; I am in peace.


Part Three - The Remains


Unwrap me from this white linen shroud and clothe me

With leaves of jasmine and lilies;

Take my body from the ivory casket and let it rest

Upon pillows of orange blossoms.

Lament me not, but sing songs of youth and joy;

Shed not tears upon me, but sing of harvest and the winepress;

Utter no sigh of agony, but draw upon my face with your

Finger the symbol of Love and Joy.

Disturb not the air's tranquility with chanting and requiems,

But let your hearts sing with me the song of Eternal Life;

Mourn me not with apparel of black,

But dress in color and rejoice with me;

Talk not of my departure with sighs in your hearts; close

Your eyes and you will see me with you forevermore.


Place me upon clusters of leaves and

Carry my upon your friendly shoulders and

Walk slowly to the deserted forest.

Take me not to the crowded burying ground lest my slumber

Be disrupted by the rattling of bones and skulls.

Carry me to the cypress woods and dig my grave where violets

And poppies grow not in the other's shadow;

Let my grave be deep so that the flood will not

Carry my bones to the open valley;

Let my grace be wide, so that the twilight shadows

Will come and sit by me.


Take from me all earthly raiment and place me deep in my

Mother Earth; and place me with care upon my mother's breast.

Cover me with soft earth, and let each handful be mixed

With seeds of jasmine, lilies and myrtle; and when they

Grow above me, and thrive on my body's element they will

Breathe the fragrance of my heart into space;

And reveal even to the sun the secret of my peace;

And sail with the breeze and comfort the wayfarer.


Leave me then, friends - leave me and depart on mute feet,

As the silence walks in the deserted valley;

Leave me to God and disperse yourselves slowly, as the almond

And apple blossoms disperse under the vibration of Nisan's breeze.

Go back to the joy of your dwellings and you will find there

That which Death cannot remove from you and me.

Leave with place, for what you see here is far away in meaning

From the earthly world. Leave me.